It’s been both fascinating and annoying to have the past two weeks of social media chock full of advertising promoting the 50 Shades of Grey film and articles upon articles of critiques, commentaries, film reviews and denouncements. The novel and the film have become the object catalyzing strong reactions, as well as a means for bloggers generate social media currency and expand their audience. The web analytics for this phenomenon are off the chart (249 million Google web hits on the title alone). Lord knows what this poorly reviewed flick will net at the box office given the marketing, hype and hysteria it has generated.
This certainly makes writing a blog post of my own the pot calling the kettle black. Yet, at the risk of being accused of clickbait, I stumbled upon a couple of references spanning Martin Buber and C.S. Lewis this week that linked a key idea of human relationships and communication to 50 Shades and made it worth sharing in the form of a post.
This past Sunday Bruxy Cavey, teaching pastor at The Meetings House in Toronto, gave a teaching on Jesus and the Samaritan woman at the well from John 4:10. While I highly recommend the entire message, toward the end Cavey provided an easy-to-understand overview of Martin Buber’s I & Thou—admittedly better that some of the times I have attempted to describe this in my communication classroom. The basic idea is that there are two modes of relatedness between people: one of relating to the other as an object, a means to an end; and one of relating to the other as a subject, through what Buber describes as dialogue—the “inter-human.”
Having been reminded of the I & Thou concept while listening to The Meeting House podcast on my drive to work, I was struck by a correlation to this C.S. Lewis quote from The Four Loves in an article I came across in my social media feed (reposted from a blogger previously unknown to me):
Sex is a sensory pleasure; that is, an event occurring within one’s own body. We use a most unfortunate idiom when we say, of a lustful man prowling the streets, that he ‘wants a woman.’ Strictly speaking, a woman is just what he does not want. He wants a pleasure for which a woman happens to be the necessary piece of apparatus. How much he cares about the woman as such may be gauged by his attitude to her five minutes after fruition (one does not keep the carton after one has smoked the cigarettes).
In many ways, 50 Shades’ Christian Grey is a metaphor of the kind of alienation that is all too common in a culture where more and more of our relationships subsist in mediated, even titrated, human contact. We shun the openness and vulnerability required for I & Thou relationships in favor of connections where we can control the outcome and get what we want. Christian Grey’s need for a “contract” with his submissive partner is the ultimate symbol of a thoroughly objectified relationship—which is quite honestly the relational position where such abuse and exploitation occur, as Lewis points out.
This is why I feel it is important to recognize the great potential for all of us to lose our ability to relate to one another as subjects rather than objectified means to an end when more and more of our interpersonal communication is digitally mediated to afford us more control, novelty and less vulnerability. Research is showing a lower readiness for first-hand encounters as people gravitate to simulations or personal technologies that afford relational control.
On Valentines Day 2015 it is helpful to reflect on the temporality and exhaustibility of objectified love and the perpetual nature of love comprised in the I & Thou of two subjects. Let the 50 Shades conversation in the culture cause us to embrace a higher love, just as Jesus related to, and with, the Samaritan woman and called her to an eternal life of the same:
Everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I give them will become in them a spring of water welling up to eternal life.